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That eternal \u0026amp; deeply evocative jazz homage to Mahalia Jackson likewise took the #1 spot in the esteemed Francis Davis Jazz Critics Poll in 2023. Furthermore, a pair of the themes brought to vibrant new life by Red Lily on for Mahalia.. are woven into ..soulful days, and it is a wonder to hear their resonance in such a thoroughly different context. A powerful beauty true! These Are Soulful Days is Jame Brandon Lewis' first long-form composition for string quartet \u0026amp; tenor saxophone. Performed by Lewis \u0026amp; The Lutoslawski Quartet (Roksana Kwaśnikowska-1st violin; Marcin Markowicz-2nd violin; Artur Rozmysłowicz-viola; Maciej Młodawski-cello), it was commissioned by Poland's National Forum of Music for World Premiere at the Jazztopad Festival in Wrocław. JBL writes: \"These Are Soulful Days is built from, and inspired by, the fabric of a quilted history of african-American music from it's folk traditions of blues, spirituals and jazz. 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Released under BYG Records - the original label that recorded the album before licensing it to Virgin - this definitive deluxe reissue delivers the best sound quality Flying Teapot has ever had: a true cosmic upgrade for Gong’s mind-bending masterpiece.\u003c\/p\u003e\n\u003cp\u003eOriginally unleashed in 1973,\u003cem\u003e Flying Teapot\u003c\/em\u003e kicked off the eccentric Radio Gnome Invisible trilogy, introducing the wild, otherworldly universe of Gong. Here reside the Pot Head Pixies, space-faring creatures who ride interstellar teapots and transmit transcendent messages via Radio Gnome Invisible. At its core, the album is a surreal fusion of psychedelia, jazz improvisation, and anarchic humour, propelled by Daevid Allen’s visionary madness. Featuring the cult anthems “Radio Gnome Invisible,” “Flying Teapot,” and “Zero the Hero,” this edition resurrects Gong’s signature blend of absurdity and brilliance - now with stunning clarity that reveals every swirl of synth, every playful whisper, every glimmer of cosmic chaos. Half-speed mastered. Fully teapot-powered. Out exclusively for Record Store Day 2026.\u003c\/p\u003e","brand":"Apollo Exos","offers":[{"title":"Default Title","offer_id":45953607467242,"sku":"58874143667242","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0663\/6034\/4810\/files\/GongFlyingTeapot-RSD2026.webp?v=1774568712"},{"product_id":"don-cherry-blue-lake-rsd-2026","title":"Don Cherry Blue Lake - RSD 2026","description":"\u003cp\u003eThe spirit of Don Cherry soars again. 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This remains one of Goblin’s most iconic and unsettling works, where music becomes an active narrative force: hypnotic, percussive, and filled with eerie vocal layers that made it a cornerstone of horror soundtracks worldwide. From Il Fantastico Viaggio del Bagarozzo Mark (1978) come Un Ragazzo d’Argento and Opera Magnifica, two tracks that highlight the band’s more conceptual and visionary side, a move away from cinema toward a self-contained narrative and progressive experimentation. The single Yell stands as another late-decade gem. Originally composed as the opening theme for the RAI television series “Sette storie per non dormire” (1978), it captures Goblin’s ability to merge rock energy with electronic pulse, proving their versatility far beyond the horror realm. The compilation closes with Amo Non Amo and Funky Top, taken from the soundtrack of the 1979 film Amo Non Amo, one of the group’s lesser-known but fascinating cinematic works. 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Originally conceived as a digital-native project, The Green Screen Band became an instant fan favourite for its vibrant arrangements and playful audiovisual spirit. Now, listeners can drop the needle and experience these tracks in a whole new way: warm, dynamic, and handcrafted for collectors and audiophiles alike. This limited RSD edition, pressed on a translucent coke bottle green and blue marble vinyl, features expanded artwork, premium packaging, and a sound specially mastered for vinyl, making it the definitive version of a project that embodies everything fans love about Cory Wong: good vibes, funky grooves, and irresistible musical fun. A first-ever pressing. A celebration of creativity. A must-have for Cory’s worldwide community. 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In late 1974, George returned to California to record his next album, the soul-tinged \u003cem\u003eExtra Texture\u003c\/em\u003e (Read All About It.) Leon Russell played piano on “Tired of Midnight Blue, ” and for some of the sessions, Harrison was joined by guitarist Jesse Ed Davis, plus Jim Keltner, Paul Stallworth, and David Foster from new band Attitudes, who were later signed by George’s newly formed Dark Horse label.\u003c\/p\u003e","brand":"Apollo Exos","offers":[{"title":"Default Title","offer_id":45955163521258,"sku":"58874145121258","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0663\/6034\/4810\/files\/GeorgeHarrisonExtraTexture-RSD2026.webp?v=1774577846"},{"product_id":"dead-or-alive-the-youthquake-tour-rsd-2026","title":"Dead Or Alive The \"Youthquake Tour\" - RSD 2026","description":"\u003cp\u003eCompleting the Youthquake 40th Anniversary celebrations and adding to the 4CD edition of the album, four 7” Picture Disc singles and the RSD 2025 \u003cem\u003eYouthquake Remixes a\u003c\/em\u003elbum, is this Exclusive Limited Edition Record Store Day Live album. \u003c\/p\u003e\n\u003cp\u003ePreviously only available on CD, this live concert recorded at London’s legendary Hammersmith Odeon, now makes its debut on vinyl as a 2LP transparent purple set.\u003c\/p\u003e\n\u003cp\u003eThe album captures the energy that you’d expect from a Dead Or Alive album, with the added excitement of an enraptured audience. The album artwork photography was taken by Paul Cox. \u003c\/p\u003e","brand":"Apollo Exos","offers":[{"title":"Default Title","offer_id":45955171549418,"sku":"58874145249418","price":54.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0663\/6034\/4810\/files\/DeadOrAliveThe_YouthquakeTour_-RSD2026.webp?v=1774578327"},{"product_id":"art-of-noise-the-seduction-of-claude-debussy-rsd-2026","title":"Art of Noise The Seduction of Claude Debussy - RSD 2026","description":"\u003cp\u003eFinally!, the fifth and final studio album by The Art of Noise and their only studio album never before released on vinyl, sees that fact corrected with an exclusive pressing for Record Store Day 2026 on Translucent Blue 2LP. The album line-up consisted of Trevor Horn, Anne Dudley, Paul Morley and Lol Creme, along with other appearances from John Hurt, soprano Sally Bradshaw, Rakim, and Donna Lewis. The Seduction of Claude Debussy is the fifth and final studio album by The Art of Noise, released in 1999 and saw the realisation of a long time recurring idea of Trevor Horns’ (as borrowed by the Pet Shop Boys lyric in ‘Left To My Own Devices’) with the blending of music of French impressionist composer Claude Debussy with drum and bass, opera, hip hop, jazz, and narration, to create a concept album described as \"the soundtrack to a film that wasn't made about the life of Claude Debussy.“\u003c\/p\u003e\n\u003cp\u003eThe album is newly mastered by Phil Kinrade at Air Studios using the original production master and includes the Rakim featuring single ‘Metaforce’ and in addition this Exclusive Double Vinyl LP features four era specific bonus tracks. The bonus tracks originally to be released in July 1998 as a 12\" single to promote the album, were previously only released on the Digital EP ‘Born Again!’ and have never been released on a physical format before now.\u003c\/p\u003e","brand":"Apollo Exos","offers":[{"title":"Default Title","offer_id":45955218014442,"sku":"58874145314442","price":64.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0663\/6034\/4810\/files\/ArtofNoiseTheSeductionofClaudeDebussy-RSD2026.webp?v=1774578443"},{"product_id":"stewart-copeland-the-rhythmatist-signed-rsd-2026","title":"Stewart Copeland The Rhythmatist (Signed) - RSD 2026","description":"\u003cp\u003eReissued on Vinyl for the first time since it’s original release, to celebrate its recent 40th Anniversary in 2025, this groundbreaking project and album is pressed on translucent blue vinyl for the first time exclusively for Record Store Day. Every copy of this vinyl repressing also comes with an exclusive art print signed personally by Stewart Copeland exclusively for Record Store Day Following the breakup of the Police, their drummer Stewart Copeland undertook a musical Odessey through the heart of Africa in search of the roots of Rock and Roll.\u003c\/p\u003e\n\u003cp\u003eOriginally released as both a film, (directed and produced by Jean-Pierre Dutilleux) and album in 1985, \u003cem\u003eThe Rhythmatist\u003c\/em\u003e preceded the release of \u003cem\u003eGraceland\u003c\/em\u003e by Paul Simon which was to follow in 1986 The album produced by Stewart along with Jeff Seitz, featured the singles ‘Koteja (Oh Bolilla)’ featuring Ray Lema a major figure in world music himself as well as ‘Gong Rock’. 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Featuring Cecil Taylor on piano, Jimmy Lyons on alto saxophone, Sam Rivers on tenor\/soprano saxophone and flute, and Andrew Cyrille on drums, the concert showcased the group's intense, free jazz style. Released officially for the very first time, the recording was transferred from the original tape reels at INA and restored and mastered by Matthew Lutthans at The Mastering Lab. 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New notes from all four original band members – Partridge \/ Moulding \/ Gregory and Chambers.\u003c\/p\u003e\n\u003cp\u003eListening to this electric performance from April 1981 – for all of its sonic imperfections seems to confirm that status, making it even harder to accept that, within a year, XTC would play its final gigs. XTC at that time was a performing machine capable of creating megawatts of excitement. Andy Partridge comments that “we were tighter than a firefly's fundament that night, even more astounding was the adrenaline-soaked speed we took every song at”.\u003c\/p\u003e\n\u003cp\u003eReleased exclusively via Record Store Day, this 200-gram heavyweight (double) LP is the first time the concert will be officially available on vinyl and is also the first of a planned series of XTC official bootleg releases titled \u003cem\u003eLive Boots\u003c\/em\u003e and drawn from the band’s archives with minimal audio restoration undertaken by cutting engineer Jason Mitchell working with Andy Partrdige.\u003c\/p\u003e","brand":"Apollo Exos","offers":[{"title":"Default Title","offer_id":45960428978410,"sku":"58874145678410","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0663\/6034\/4810\/files\/XTCLiveBoots-LiveatEmeraldCity1981-RSD2026.webp?v=1774636597"},{"product_id":"neko-case-cool-boys-rsd-2026","title":"Neko Case Cool Boys - RSD 2026 7\"","description":"\u003cp\u003eGrammy nominated iconoclast Neko Case, is \"one of America's best and most ambitious singer-songwriters\" (Rolling Stone). 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This New Years Eve show celebrated the totality of 1981- a year that saw the release of Joan Jett \u0026amp; the Blackhearts' explosive intro record 'Bad Reputation' and their unstoppable follow-up 'I Love Rock 'n' Roll.' 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Originally transmitted as a special TV performance for the ‘Old Grey Whistle Test’ on BBC2 TV and for John Peel on BBC Radio 1. Following on from the run of singles \"Reasons to Be Cheerful, Part 3\", \"I Want to Be Straight\" and \"Sueperman's Big Sister\" 1980 saw the release of new album \u003cem\u003eLaughter\u003c\/em\u003e by Ian Dury and The Blockheads. 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Marc Bolan’s celebrated 1977 six-part Granada TV series, ‘MARC’, renewed his position as a central force in the UK music scene as he broke new ground hosting his own show. During the series Marc, backed by a mostly new T.Rex (Herbie Flowers on bass, Tony Newman on drums with Dino Dines on keyboards), delivered fresh versions of highlights from his stellar career alongside a sprinkling of new songs and well-chosen covers of 1950s classics. It’s unclear whether the 1977-version tracks were recorded in London or Manchester, but it is most likely that T.Rex used a studio in the capital: they were made specifically for the show and Bolan had several studios at his disposal in his hometown. The tape box, unearthed in December 2024, offers no further clue. The shows were filmed in Manchester in pairs: Granada’s Studio 6 hosted Marc, his band and many guests over three 48-hour periods. Shows one and two were filmed on 9 and 10 August 1977; three and four on 22 and 23 August, with the final pair captured on 6 and 7 September. Transmission began on Wednesday 24 August at 4.20pm, with the sixth episode screening on 28 September, 12 days after the tragic accident which took Marc’s life. The songs on this collection are from shows 1 to 4, recently discovered on a long-lost ¼” tape and newly mastered. Each track is complete: intros, full songs and endings all present and correct, also benefitting from an absence of overdubbed audience noise. (There was no actual audience in the Granada studios.) Of particular note is Hot Love, running to over four minutes with the distinctive vocals of Lynn Garden accompanying Marc on the coda, and Dandy In The Underworld, an instrumental take as the broadcast version featured a live Bolan vocal. 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Featuring 17 brand-new recordings from a number of fan-favourite episodes including ‘Sleepytime’ and ‘Flatpack’, with exclusive zoetrope artwork, this is a must have for fans of Bluey.\u003c\/p\u003e\n\u003cp\u003e“This was our most ambitious album to date - so we wanted something extra special - something we’ve wanted to make for a long time. Orchestral music can be so emotionally powerful and to be introducing kids and families to this music is an opportunity I treasure. Hearing the music from episodes like ‘Sleepytime’ and ‘The Sign’ in all its orchestral splendour meant tissues needed to be on hand throughout the mixing process.” “Fittingly, the theme of this album is ‘growing up’.\u003c\/p\u003e\n\u003cp\u003eMuch of this music, like the episodes they derive from, explore what it means when kids start to discover their independence and venture out on their own. Whether that’s learning to sleep in their own bed or taking a spaceship to Mars. I hope you enjoy ‘Up Here’, as the opportunity I had to make this album is thanks to YOU! Your wonderful support of the music in Bluey has allowed us to take it to new heights.”\u003c\/p\u003e","brand":"Apollo Exos","offers":[{"title":"Default Title","offer_id":45960436908266,"sku":"58874146208266","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0663\/6034\/4810\/files\/BlueyUpHere-RSD2026.webp?v=1774637431"},{"product_id":"brandi-carlile-live-at-easy-street-records-vol-ii-rsd-2026","title":"Brandi Carlile Live At Easy Street Records, Vol. II - RSD 2026","description":"\u003cp\u003eNearly two decades after recording her first live album at Seattle's Easy Street Records, Brandi Carlile returned to the iconic record store for Live at Easy Street Records, Vol. II. Celebrating her 8th studio album, Returning To Myself, the show marked a full-circle moment for the 11x Grammy Award-winner. 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Originally released in 2018 and unavailable for years, Swagismhas become one of the most sought-after modern funk records-commanding triple-digit prices on the secondary market. Featuring an all-star lineup including MonoNeon, Cory Henry, and Nigel Hall, this explosive 17-track double LP fuses deep funk, hip-hop, and jazz into an unstoppable groove odyssey. 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With the rapid growth of CD in the 1980s came an equally rapid growth in bootlegging and by 1992 there were over 120 different King Crimson bootlegs – many focusing on poor quality recordings of the 1973\/74 touring band whose reputation among fans and influence on a generation of musicians continued to grow. 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